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TIMNEY FOWLER WALLPAPER

timney fowler

Drawing extensively on the history and symbolism of European art, the designs were presented in the company’s distinctive graphic style, black on white. Comment about this article, ask questions, or add new information about this topic: Noteworthy is the range of ceramics, mainly neo-classical and paralleling the fabrics. New themes have emerged based on Rococo and Toiles, 15th-century European fashion portraits and 18th-century Byzantine paintings. But while the source remains historical, there is also wit and a sense of the surreal. Type the code shown: If design hype were to be believed, they virtually invented black and white.

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Linked to all this was a small group of wallpapers, friezes, and borders. Their position in the forefront of British design has been recognized in the UK and internationally with the prestigious Textile Institute Design Medal for “outstanding contributions to textile design and management.

Sue Timney

Other designs use hand-drawn symbols to give a softer, more ethnic look. Noteworthy fowlfr the range of ceramics, mainly neo-classical and paralleling the fabrics. But while the source remains historical, there is also wit and a sense of the surreal. Comment about this article, ask questions, or add new information about this topic: Although there has been no let up in the appeal and saleability of Timney and Fowler’s original style timnwy, much plagiarized by lesser talents, there have been moves to get away from visual typecasting.

Clients included Yohji Yamamoto and Issey Miyake and the Japanese market has remained an important business connection. Type the code shown: The company’s design timndy could be said to be embodied in the Neo-Classical Collection, the core of the Timney Fowler fabric range, produced in Animals, leaves and other images from the natural world are also used in unexpected ways.

Surprisingly, having traded for so long on their black and white signature, Timney Fowler at this stage introduced color for the first time into its fashion range. The company fast outgrew its original premises in Portobello Road and in moved to the highly fashionable Chelsea where they concentrated on key products suited to this timbey sophisticated mileu—fashion, scarves, ceramics, tableware and interiors. Self-confessed “20th-century vultures,” their inspiration has been drawn variously from photography, mythology, classicism, and European history, and from the arts and crafts and aesthetic movements— this eclecticism expressed with bold graphic imagery and in an uncompromising monochrome.

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New products continue to fodler, including umbrellas, jewelery, shoes, furniture, lights, and a collection of black and white clothes. If design hype were to be believed, they virtually invented black and white. New themes have emerged based on Rococo and Toiles, 15th-century European fashion portraits and 18th-century Byzantine paintings. Show my email publicly.

Drawing extensively on the history and symbolism of European art, the designs were presented in the company’s distinctive graphic style, black on white.

Sue Timney and Graham Fowler are a design team of international repute who began working together after graduating in textiles from London’s Royal College of Art.

Timney Fowler’s distinctive designs draw on the rich symbolism of European art. Their shirts and fashion accessories sell worldwide through retail outlets, as well from a New York showroom opened in Timney had earlier studied fine art and Fowler, graphics and textiles.

Sue Timney – Wikipedia

New fabrics included velvet and plastic-coated cotton. Although interiors followed fashion’s lead towards purer, simpler lines, by the end of the century texture, embroidery, timey metallics played a prominent role. Design features included images from Greek and Roman tinney of art, French tapestries, nautical instruments, along with a strong architectural theme; Russian maps, mosaic floor plans, and in the scarf range what over the years virtually became the company’s logo—the clock—all used in a thoroughly modern way.

Strongly inspired by the etchings of Piranesi, the 18th-century Venetian architect, they capture the romantic characteristics of his work.

Timney Fowler – Neo Classical Designs

The following year at the English Accents show in Januarybatik prints with fowldr borders and Japanese screen designs were the rage. Micro and miniaturized prints were popular, and Fowler noted to Women’s Wear Daily 26 January”Simple geometrics in fresh colors have gotten a great response from buyers,” while dots and horizontal borders gained as well.

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To complement these classical borrowings was a range of Regency stripes, latticed Victorian ironwork, and small scale heraldic repeats. On a much larger scale yet maintaining the same imagery are the Timney Fowler gun-tufted rugs—manifestly intended to be centerpieces, perennial designs like Coinhead and Timepiece, all resolutely in black and white, which speak for themselves. From the early years strong links were established with Japan, from where their work derived many influences.

Timney Fowler Ltd. – Fashion Designer Encyclopedia

Timney Fowler describe its design philosophy as “a process of evolution, working through one set of ideas in a kind of natural progression, but without any ups and downs. This striking classical modernism was taken up avidly by the style conscious avant-garde in the early s.

Over the years the duo have become truly international, supplying specialist design consultancy services to leading fashion and household names. Neo-classical, architectural and Egyptian images are placed together in unexpected ways to create modern prints.

Greek, Roman, and Florentine objects timey by the bestselling Emperor’s Heads; twisted columns, sections of architectural buildings plans, elaborate montages of stonework and foliage scrolls, the unexpected and witty juxtapositions of paisley dolphins teamed with acanthus plasterwork.